Sd movies point ala vaikunthapurramuloo hindi

His mesmerising dance movesВ in a well-conceived fight-folk song, and the way he mimics popular Telugu heroes in a medley are a delight. He perfectly slips into the character of Bantu, and brings swag and energy to the stylish sequences. The film also benefits enormously from the performances of Allu Arjun and Murali Sharma. While PS Vinod crafts every frame beautifully, Naveen Nooli's editing could have been sharper. SS Thaman's soothing melodies and foot-tapping songs are woven into the narrative to wondrous effect, especially OMG Daddy, Samajavaragamana, and Butta Bomma. There'sВ comedy, a little bit of romance, and heaps of emotional drama powered by the inventive use of music. Samuthirakani and Govind's track seems half-baked and so is its culmination. While Trivikram, generally, may have a progressive opinion when it comes to portraying women characters,В the same can't be said about Bantu's unmistakably obtuse gaze at his boss, Amulya (Pooja Hegde)'s legs. However, Ala Vaikunthapurramuloo is not without its blemishes. Although the narrative follows the blueprint of family dramas, the story offers interesting twists and punch dialogues at regular intervals. The emotional moments fit seamlessly into the narrative and the drama is even more engrossingВ towards the climax, when a key character resolves the conflict. As the story takes off, we don't see Allu Arjun,В the star, we only see Bantu and that is one of the biggest strengths of the film. It's difficult to envision any other actor enacting the part of Bantu. Also, his resolve to help Ramachandra's emotionally detached family is strong enough to make us empathise with his character. The scene where he discovers the truth behind his birth and the ensuing confrontation with Valmiki is one of the best moments in the film. His prose, brimming with exuberance, is given impressive expression by Allu Arjun. Like Trivikram's previous outings, the hallmark of this film is an undercurrent of emotions and tue directorВ skillfully depicts the conflict and bonding in an urban setting. This episode clearly communicates the thought process of Ramachandra also. The sequence where Bantu-Amulya and Raj deal with their business opponents has been conceived well. There is opulence and poetry in every frame, and he applies the same lavish approach to present it interestingly.

Trivikram's hold on the script is evident from the first frame as he moves from one sequence to another swiftly. These characters and their attitudes converge at a point. Appala Naidu likes to give his son whatever he wishes for and doesn't hesitate to kill if someone prevents him from doing so. Ramachandra wants his son to be successful and doesn't like to see him being unambitious. Valmiki always tries to suppress Bantu and thinks that the family you are born into determines your fate. Written and directed by Trivikram Srinivas, the film focuses on three father-son relationships -В Bantu (Allu Arjun) and Valmiki (Murali Sharma) Ramachandra (Jayaram) and Raj Manohar (Sushanth) and Appala Naidu (Samuthirakani) and Paidithalli (Govind Padmasoorya).

Sd movies point ala vaikunthapurramuloo hindi